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Phantom of the opera costume analysis
Phantom of the opera costume analysis







phantom of the opera costume analysis

The costume maker, costume supervisor or actor.

phantom of the opera costume analysis

I don’t know if it comes down to preferences of Phantoms the shirt cuff and cuff links are visible, and with some 2/3 of Think this started in the days of Howard McGillin and/or in the lateġ990s, but with some more extreme examples than others. Which becomes more obvious when comparing the two Crawfords in And Ben Crawford is definitely NOT getting that Reason was that this would emphasis the hands, make them Sleeves a helluvalot shorter, as per the original instructions.Īs you say, Michael Crawford and designer Maria Bjørnson aimed for the sleeves to be a bit shorter Think Brooks Brothers and Ralph Lauren.Īnd with this as a backdrop, this tailoring does make more sense, no?Ĭertainly won’t call it ill-fitting, as it seems tailor-made for theĪctor and fitting him well in the torso. An actual expression here is “the sack suit”. “box” fit, rounded shoulders, wider and longer sleeves and trouser legs, usuallyĭark colours. Can be super smooth, but also a bit excessive. The finest wools, often also lighter colours. Italian/continental: Elegance, lighter fabrics, sharper angles.Jackets, but also for understatements (in the suit, accessories can be I classical Western menswear three main styles is usually brought up:Ĭlose-fitting, high-waisted and with a love for double-breasted The Broadway taicoats are differentįrom most others in that the fit is looser, and the sleeve cuffs and









Phantom of the opera costume analysis